miércoles, abril 22, 2009

Tokyo!





By Lucia Santiago Dantes
El Kiosko Magazine
www.elkioskomagazine.com


  What do you get when you mix Gondry, Carax and Joon-Ho? You get Tokyo!.

  Although Tokyo! opened at Cannes Film Festival on the section “Un Certain Regard” I saw it at VIFF2008, becoming immideatly one of my personal favorites. Based on the question “Do we shape a city or does the city shapes us?” Tokyo is a tryptic of 3 fantastic, surrealistic and most extraordinary short films I’ve seen lately. It is not the first time this kind of efford it is made, let’s take New York Stories (1989) or Paris Je t’aime (2006) just to mention some, but none of them with quite a premise! 3 of the most avant garde directors reunited are quite a feist for the connoiseur! like surrealistic utopic and dreamer Michael Gondry (Eternal Sunshine of a Spotless Mind (2004), The science of Sleep (2006) Be kind Rewind (2008) ), provoking Leos Carax (Pola X) and monster-horror movie director Bong Joon Ho (The Host,2008).



Tokyo!'s "Interior Design"

  Tokyo! opens with Michael Gondry’s short film “Interior Design” it is the epitome of surrealism. Arika, An aspiring filmmaker and Hiroko, his girlfriend moves to Tokyo. We see and live the story through Hiroko’s point of view. She’is the one who scores a place to stay (for the moment) at a friend’s apartment while arriving to pricy Tokyo. But their limited budget is good enough only for trashed apartments and maigre food. Hiroko finds a job wrapping gifts at a department store, soon the stress and pressure of the big city sink into her deep thoughts, questioning her own relationship with Akira. Hiroko realizes she is changing, but her change is not only psychological but also physical: Hiroko is turning little by little into a Chair!.

Merde is the short film directed by Leos Carax.

Tokyo!'s "Merde"

  From Tokyo sewers, An humanoid emerges. He doesn’t speak japanese, english, french or any common language. Merde looks like a leaprechaun dressed in green, angry, violent and scaring people where ever he appears. He appears and dissapears unexpectedly. In a way it’s an analogy of the marginal people a highly densed city produce, like drug addicts, bumps, homeless, etc. It is a very whimsical, odd but very interesting story.



Tokyo!'s "Shaking Tokyo"

  Director Bong Joon-Ho delivers the last proposal with the short film “Shaking Tokyo” where Joon-Ho leaves behind his monsters to show us a very captivating story about a hikikomori (name for the strange behaviour where a person decides to live in total isolation from the world) played by Teruyuki Kagawa, this man hasn’t been outside his apartment for 10 years. He receives money to support his living from his parents, and the only contact through the outside world is by telephone where he orders all what he needs for his house, food and supplies. One day his way of living is disrupted by a pizza girl and an earthquake. The girl happens to have several buttons in her body representing emotions and some other physical states.

  The 3 movies are almost breath taking, dealing with emotions, feelings and thoughts about what is to love in our times, in big but great cities and also subconcious and very concious concerns for those we live in metropolis, as it is proposed by the 3 movies: as human beings living in a strange form of captivity, we live in constant tranformation, anarchy and rebirth.

For more shows and venues please visit the official site:

http://www.tokyothemovie.com

sábado, abril 11, 2009

Hannah Montana the movie



Review by Lucia Santiago Dantes
El Kiosko Magazine
www.elkioskomagazine.com

  Miley Steward (Miley Cyrus) returns to her hometown Crowley Corners, courtesy of her father Robby Ray Steward, when he realizes Hanna Montana is taking over Miley’s life.

  The story is full of slapstick jokes most of them doesn’t work for an adult point of view, but very amusing for children. Just a few jokes works out for other than fans.

  Hannah Montana’s attitude leaves a lot to desire, but reflects very well today’s most kids attitudes, but that was the idea (in part) of the movie, to put her feet on the ground.

  Special appereances by Vanessa Williams (Ugly Betty) as Hannah’s manager, while Tyra Banks appears as herself on a very a la tabloid shoe fight.

Great movie for kids, absolutely not for grown up audiences.

domingo, abril 05, 2009

Slumdog Millionaire (quisiera ser millonario)

Por Lucía Santiago Dantés
El Kiosko Magazine
www.elkioskomagazine.com
Danny Boyle Does Bollywood!

Una de las historias más estrujantes que he visto, y una de las mejores películas este año. Muy rica en story telling (cómo está contada la historia) con desarrollo de personaje muy dramático y una historia increíble. Los ires y venires en la historia están muy bien entretejidos, sin duda una de las mejores películas del año. Slumdog Millionaire está basada en el libro “Q & A” escrito por Vikas Swarup, y el guión escrito por Simon Beaufoy. Dirigida por Danny Boyle.

Dos historias, pasado y presente son unificadas a través de Jamal, un muchacho muy pobre que para asombro de todos, se atreve a concursar en el famoso programa de TV (versión hindú) de “Who wants to be a Millionaire”. Para sorpresa de todos y el mismo productor, Jamal contesta todas las preguntas correctamente y es detenido porque piensan que ha robado las respuestas a las preguntas. Es aquí donde comienza la verdadera historia pues Jamal comienza a relatar su vida y cómo es que para él fue relativamente fácil saberlas.

La historia de su vida comienza cuando recuerda su infancia y su amistad con Salim y Latika, ésta última el amor de su infancia que nunca olvidará. De niños todos quedan huérfanos y viven en los basureros recogiendo basura para vivir, de hecho viven en el basurero después de que la mamá de Jamal muere en una matanza organizada por la mafia del bajo mundo. Son recogidos por un supuesto horfanatoria que no es otra cosa que una “fábrica de mendigos” muy méndigos valga la redundancia. Sus verdaderas pericias comienzan después de el escape de este sindicato de bajo mundo. La primera en desaparecer de sus vidas es Latika, a quien Jamal jura rescatarla algún día. Es ahí donde las verdaderas aventuras comienzan para los niños, algunas son crudas, otras divertidas y otras muy tristes.

Una excelente película que no debes perderte. Una de las 10 mejores del 2008.

sábado, abril 04, 2009

Adventureland trailer (reseña muy pronto)

Se acuerdan de SUPERBAD? bueno pues esa película fue dirigida por Greg Mottola, quien ahora dirige esta nueva cinta "Adventureland" la cual se estrenará el 3 de abril. En la cita actúa Kristen Stewart, mejor conocida por su papel de Bella en la cinta Twilight.

Lo único que puedo decir es que no es comedia como su anterior película, sino un film un poco más serio.

La reseña está disponible solamente en inglés por el momento:

By Lucia Santiago Dantes
El Kiosko Magazine
www.elkioskomagazine.com

  Adventureland is the new movie directed by Greg Mottola, better known for his past hit: Superbad. Although this time Mottola directs a “teen movie”, he got into more serious business when James Brennan (Jesse Eisenberg, The Village, The Squid and the Whale) ends up taking a summer job on a Themed park called Adventureland instead of his long awaited trip to Europe. It is a gloomier movie than Superbad, I hate to say, but in order to make a point, Superbad wasn’t written by Mottola, just directed, while Adventureland was written and directed by himself, which makes it a more honest movie, storytelling point of view.

  What I liked about Adventureland is the way Mottola manages to recreate the spirit of the eighties like that “Amadeus” song played at Adventureland until it became a torture for everybody working there, art directing is good, and characters consistent to the 80s. For some fans of the twilight trilogy Kristen Stewart has a significant role in the movie as Em Lewin, the object of desire of James Brennan, but Em is in a complicated and secret relationship with Connell.

  Didn’t work for me the story as something that’s really meaningful enough to transcend, a little bit dull characters wondering in town with dreams crushed and nothing to stand for, not even for their own sake. And even though it is marketed as a comedy, I didn’t see much to laugh at.

viernes, abril 03, 2009

Nightwatching



By Lucia Santiago Dantes
El Kiosko Magazine
www.elkioskomagazine.com

  The film focus on Rembrandt and the creation of the painting commonly known as “The Night Watch”, the painter’s most famous work. In the film Greenaway suggests that the militiamen posing for the paint were part of a conspiracy.

  As many of Peter Greenaway’s films, the director explores the audience, the actors and how it is perceived this cinematic world. Nightwatching has a lot of influences from “Le bebe de Mâcon” (1993) were Greenaway explores the audience acknowledge or awareness of watching something that’s not real, were like a painting a model is like an actor “pretending not being watched”.

  Greenaway fans will be very pleased with Nightwatching. All the elements of his style seen in other movies like “ The Draughtsman’s Contract “, Le Bebe de Mâcon”, The Pillow Book, The Cook, the Thief, His Wife & Her Lover, are in this new movie!, elements like the corporal material, the artist as an outsider, love, fear, angst, the semiotic use as an artist, but also the filmmaker’s own semiotics in the film.

Visit the official website: www.nightwatchingthefilm.com